selenak: (Default)
selenak ([personal profile] selenak) wrote2025-12-15 07:17 pm
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The January Meme Strikes Back

Pick a date below and give me a topic, and I'll ramble on. I'm good at talking. It can be anything from fandom-related (specific characters, actors, storylines, episodes, which Disney Marvel shows are my faves and why, why the world should give the Tudors a rest and make a Stuarts era show or several instead, which 18th century ladies need their own series, etc.) to life-related to favorite tea brands to whatever you want.

They will probably be brief, or not, depending on the subject. Also, I reserve the right to decline prompts that I don't feel equipped to meet.

Topics: you can get an idea from my tags/from the stuff I usually ramble about/from things you maybe wish I talked about more but don't. Also, please feel free to check out the 2025 meme,  the 2024 meme,  the 2023 January meme, the2022 January meme, the 2021 January Meme, the January Meme: 2020 Edition, the 2019 one, the 2018 meme, the 2017 edition , and the 2016 January meme to see which topics I've written about in past years.



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January 2 - Five places everyone should visit in Germany ([personal profile] redfiona99)

January 3 - Which incarnations of the Doctor would get on best with which Starfleet Captains of Star Trek? ([personal profile] lightofdaye)

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selenak: (KircheAuvers - Lefaym)
selenak ([personal profile] selenak) wrote2025-12-14 10:02 am
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Wake up, Dead Man! (Film Review)

Aka the third Benoit Blanc mystery plotted and directed by Rian Johnson. Now, each of these movies has a main character who is not Blanc whose fate and/or motivation to solve the mystery is at the heart of the story - Martha in Knives Out and Helen in Glass Onion respectively - and in this case it's Father Jud, played (well and movingly) by Josh O'Connor. In each case, the movie's structure harks back to the classic age of detective mysteries with various twists and turns and a grand denouemonet while also commenting on the here and now in its social satire. If Glass Onion among other things went for the tech bros and the self satisfied "disruptors", Wake up, Dead Man! is very much about the US under the Orange Menace despite his name not mentioned even once. And lo and behold - it even offers hope. And hey, there is even a Star Wars gag. (Just for the record, I still stand by The Last Jedi being the only one of the sequel movies which actually tries to do something new and creative with the franchise. #RianJohnsonwasRight . The gag has nothing to do with that at all, though.)

Vague spoilers have to offer from their own free will in order for it to mean something )
lizbee: A sketch of myself (Default)
lizbee ([personal profile] lizbee) wrote2025-12-14 09:36 am
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Please recommend books about the French Revolution

I started playing Assassin's Creed: Unity and realised that I know almost nothing about the French Revolution. We did study it in grade 10, but I missed a lot of time due to a never-identified virus -- I was out for most of the American Revolution and all of the French, and mostly passed the class because I knew more about the Chinese Communist Revolution than my teacher. (It's not her fault, she was an art teacher who was roped in to teach history for ... reasons which I'm sure made sense at the time.) 

Anyway, I've decided to fill the gap in my knowledge. I started out by trying to listen to The Rest Is History, a podcast my mum recommended, but the hosts are two English men, and they spend a weird amount of time comparing Marie Antoinette to Meghan Markle, but in a derogatory "maybe we should decapitate the Duchess of Sussex" way that I did not care for. 

Then I read The French Revolution by Christopher Hibbert, which I think is from 1980. It was a solemn, dispassionate accounting of events and personalities, but didn't get into the question of, for example, why the Parisian mob went from zero to heads on pikes in the storming of the Bastille. 

I've requested an inter-library loan for Citizens by Simon Schama, which I've seen recommended a lot, but I would also be eager to read a history that's not ... British? Because the British, for understandable reasons (I guess) weren't really down with the beheading of the monarch and the end of the monarchy (even though they did it first), and I feel like a pro-aristocratic bias has pervaded a lot of what I've encountered. And obviously the Terror was bad, but, like, maybe Robespierre was an asexual smol bean who was a convenient scapegoat! I'm open to the possibility! 

I am open to suggestions, is what I'm saying. 
selenak: (Jimmy and Kim)
selenak ([personal profile] selenak) wrote2025-12-12 01:25 pm

Pluribus 1.07

In which we get a crossover between a Werner Herzog movie and a Robert Altmann one.

Manousos or the Wrath of God… )
selenak: (Livia by Pixelbee)
selenak ([personal profile] selenak) wrote2025-12-11 10:04 am

The Return (Film Review)

Yes, about a year after it was released in the English speaking world, The Return finally made it to German cinemas, thus still arriving before Christopher Nolan's big budget take on the Odyssey next year. Like many another person, I assume sight unseen that Nolan's take will be pretty much the opposite, given that The Return focuses exclusively on, well, the story of the suitors harrassing Penelope and Telemachus and Odysseuys' return to Ithaca with ensueing consequences, has thrown out the Gods and any other magical elements entirely from the story and takes place solely on Ithaca within a few days with a small ensemble of characters. (Incidentally, the "Penelope and Telemachus on Ithaca/ The Homecoming" part of the story actually is the main tale of the Homeric epic, which reliably surprises everyone who reads it. The adventures with Sirens, Cyclops and Sea Monsters part is contained in the middle where Odysseus (not the most reliable narrator under the best of circumstances) is narrating it to his hosts and a relatively short portion of the story.) All this being said, having now watched it, I would call The Return a good movie with some stellar performances by our leads - Juliette Binoche and Ralph Fiennes uniting their actory prowess for the third time - , but that it fails in one important regard as an adaptation of the Odyssey, and no, it's not because there are no Gods and other supernatural beings around. But again: as a film, it is great and immensely watchable.

Tell me, Muse, about a PTSD ridden war veteran and an island under occupation )
selenak: (Romans by Kathyh)
selenak ([personal profile] selenak) wrote2025-12-07 05:33 pm

Spartacus: House of Ashur 1.01 and 1.02

More than a decade ago, the tv show Spartacus was a guilty pleasure of mine. I started watching because BtVS and AtS alumnus Steven DeKnight was the showrunner (since then, he's also gathered additional geek cred with the first season of the Netflix Daredevil), and kept watching because as gory and pulpy and trashy as it was, it (after a bad pilot) turned into something compulsively watchable, with interesting characters galore, complicated relationships and good acting. You can read my review of the first season and the prequel season here, of the second season here, and of the third and final season here.

Now a spin-off of said show has just started (in my part of the world, you can watch it on Amazon Prime, but this seems to be different in different countries - like the original show, it gets shown on STARZ in the US) with the first two episodes released. I was alerted to this a few months ago when Steven DeKnight entertainingly shot down the whiny "Woke!" complaints by the usual suspects that started as soon as the first pics were released, showing, OMG, a black woman in a central role among the cast. (Given the original show had several prominent female characters, some of which were poc, and also had canon on screen important m/m relationships, and of course had at its central subject a slave revolt, it beats me why anoyne familiar with said original show should have assumed the show creators being inclined towards the Orance Menace type of entertainment and (lack of) ethos beats me, but there we are. Anyway, the premise of the show per se didn't feel like a must watch to me (more about this later), and I might have hesitated given all the Darth Real Life stuff dodging me, but all the indignation of ignorant fanatics definitely worked as great advertisement. What is the premise? Basically a canon AU, with the title of the spin-off: "Spartacus: House of Ashur" being a giveaway. I.e. it shows what would have happened if one of the original show's villains hadn't spoiler for the original show ) - what would have to Ashur, personally, that is, since everything else that happened in the third season of the original show still did happen in the canon AU which starts in what sounds like not even a year after the original show ended. While Ashur had been a good and entertaining villain, I hadn't exactly yearned for a "What if?" about him, yet, see above, external circumstances plus the fact the show really HAD been compulsive watching for me made me tune in and check out the first two episodes.

Gratitude! )
selenak: (Baltar by Nyuszi)
selenak ([personal profile] selenak) wrote2025-12-05 06:11 pm

Pluribus 1.06

In which I had to google this week's celebrity cameo because his fame had eluded me in my corner of the world for now, but I was amused by the rest, and felt for Carol.

Spoilers have Zoom-calls twice a week )