Aka the third Benoit Blanc mystery plotted and directed by Rian Johnson. Now, each of these movies has a main character who is not Blanc whose fate and/or motivation to solve the mystery is at the heart of the story - Martha in Knives Out and Helen in Glass Onion respectively - and in this case it's Father Jud, played (well and movingly) by Josh O'Connor. In each case, the movie's structure harks back to the classic age of detective mysteries with various twists and turns and a grand denouemonet while also commenting on the here and now in its social satire. If Glass Onion among other things went for the tech bros and the self satisfied "disruptors", Wake up, Dead Man! is very much about the US under the Orange Menace despite his name not mentioned even once. And lo and behold - it even offers hope. And hey, there is even a Star Wars gag. (Just for the record, I still stand by The Last Jedi being the only one of the sequel movies which actually tries to do something new and creative with the franchise. #RianJohnsonwasRight . The gag has nothing to do with that at all, though.)

( Vague spoilers have to offer from their own free will in order for it to mean something )

In which we get a crossover between a Werner Herzog movie and a Robert Altmann one.

( Manousos or the Wrath of God… )

More than a decade ago, the tv show Spartacus was a guilty pleasure of mine. I started watching because BtVS and AtS alumnus Steven DeKnight was the showrunner (since then, he's also gathered additional geek cred with the first season of the Netflix Daredevil), and kept watching because as gory and pulpy and trashy as it was, it (after a bad pilot) turned into something compulsively watchable, with interesting characters galore, complicated relationships and good acting. You can read my review of the first season and the prequel season here, of the second season here, and of the third and final season here.

Now a spin-off of said show has just started (in my part of the world, you can watch it on Amazon Prime, but this seems to be different in different countries - like the original show, it gets shown on STARZ in the US) with the first two episodes released. I was alerted to this a few months ago when Steven DeKnight entertainingly shot down the whiny "Woke!" complaints by the usual suspects that started as soon as the first pics were released, showing, OMG, a black woman in a central role among the cast. (Given the original show had several prominent female characters, some of which were poc, and also had canon on screen important m/m relationships, and of course had at its central subject a slave revolt, it beats me why anoyne familiar with said original show should have assumed the show creators being inclined towards the Orance Menace type of entertainment and (lack of) ethos beats me, but there we are. Anyway, the premise of the show per se didn't feel like a must watch to me (more about this later), and I might have hesitated given all the Darth Real Life stuff dodging me, but all the indignation of ignorant fanatics definitely worked as great advertisement. What is the premise? Basically a canon AU, with the title of the spin-off: "Spartacus: House of Ashur" being a giveaway. I.e. it shows what would have happened if one of the original show's villains hadn't ( spoiler for the original show ) - what would have to Ashur, personally, that is, since everything else that happened in the third season of the original show still did happen in the canon AU which starts in what sounds like not even a year after the original show ended. While Ashur had been a good and entertaining villain, I hadn't exactly yearned for a "What if?" about him, yet, see above, external circumstances plus the fact the show really HAD been compulsive watching for me made me tune in and check out the first two episodes.

( Gratitude! )